Silent Drama and Film Technique

Please write a 5-6 page double-spaced (1 inch margins) research paper, with an additional bibliographic page. Choose a director or cinematographer recognized in silent drama of the 1920s (For example: F.W. Murnau, Karl Freund, Sergei Eisenstein, Abel Gance, Carl Theodor Dreyer, King Vidor, Erich von Stroheim, etc.) Discuss their contributions to world cinema and the stylistic techniques they developed in their film-making to advance Silent Cinema. Highlight and elaborate these techniques in a single chosen film of theirs and discuss how their innovations can be felt in the cinema of today.
Research is required to write this paper and that research must be demonstrated and documented in your Bibliography at the end of your paper. Your bibliography should consist of three sources at a minimum. At least one of these must be a scholarly source. Wikipedia is not allowed. Watching clips and films from your chosen filmmaker is an essential component to this assignment. Clips and films are searchable online and from libraries. Critical thinking on your part, combined with your research should provide a well-structured, compelling, and insightful account of your pioneer, actor, or selected film.

Over the years, there are people in the cinema industry who have become the undisputed masters in the field. Their skill and expertise in the field can be seen in their movies, which have grown to capture many viewers in a different generation. They possess and use distinct artistic skills in their works that make their work unique and recognizable in the film industry. One such artist is Carl Th. Dreyer. The paper discusses the contribution of Carl Th. Dreyer in the cinema industry, his stylistic techniques and how he applies the technologies in a single movie. Additionally, the paper discusses how Carl Th. Dreyer’s innovations can be experienced in the cinema today.

Carl Th. Dreyer and his Contributions to the Cinema Industry

Carl Th. Dreyer lived between 1889 and 1968.  He was a Danish film director, who pioneered mainly in the 1960s. He had a difficult childhood since his birth parents gave him out for adoption. His adoptive parents were also strict on him, which made him unhappy for most of his childhood. However, the adoptive parents’ discipline and teachings influenced his later career as a film director, as he used some of them as themes in his movies. Dreyer began working as a journalist when he was twenty-one before joining the Nordisk Film Company (Drum 21). The first film he directed was The President in 1918. His contributions to the cinema industry have been outlined in the discussion below. First, he was an author. When he was free, Dreyer liked reading, researching, studying and writing short stories, novels, and scripts. By the time of his death…

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